Jane Evelyn Atwood documented the lives of women in prisons in Europe and the United States with compassion over a period of more than ten years, while also advocating for the improvement of their conditions. Rene Matić’s installation combines everyday observations with intimate insights into their own circle of friends. From a queer, non-white perspective, Matić poses questions about community, belonging, subculture, and class. The Iranian artist Amak Mahmoodian, who lives in exile in the United Kingdom, explores the dreams of others who share this experience, using photography, drawing, and poetry to create layered narratives about loss, hope, and identity. Weronika Gęsicka, in turn, works with stock photographs and AI-generated images to visualise historical misinformation and question the reliability of knowledge and information systems. Together, the four projects open up different perspectives on social issues such as migration, gender inequality, identity, and the search for truth. The exhibition shows the great diversity of the forms of photographic expression employed by the featured artists, ranging from classic black-and-white images, collaborative projects, and installation collages to AI-based works. It was curated by Julia Bunnemann from the Photographers’ Gallery.